Directory

I work as a freelance artist producing my own work; an important part of my practice is working with others; sharing my skills and facilitating others to express themselves through paint, drawing and sculpture. I has worked on lots of varied projects, focusing on engendering the work of others. I work and exhibit all around the country, keeping my work and projects fresh; the most important thing for me is for participants of my workshops to come away with a new and interesting experience. I love exploring ideas and giving others the skills and techniques to explore their own.

I have worked as a professional freelance artist for over 10 years working in all the following areas, Oxfordshire, Berkshire, Buckinghamshire, Northamptonshire and further if required.

Helen makes one-off sculptural vessels, by working on ideas that originate from studies of seed pods and has previously based her work on a variety of natural forms. Such as the seeds of the Lotus flower, which create classical shapes similar to amphorae and other more native and familiar plants such as Dandelions and Poppies.

Helen uses a variety of making techniques such as coiling, slabs, press moulds, slumping and throwing.

Using Kilnformed & Cast Glass techniques Helen Slater creates unique figurative Glass pieces for gallery exhibition, both Nationally and Internationally.

In addition to this Helen also produces one off sculptural pieces to Public & Private commission.

Based in Oxfordshire, Helen Slater's Art draws inspiration from the figurative form and its perception within changing environments. By using a mixture of techniques similar to those used in bronze casting and some specially developed by Helen herself, through years

of research, she is able to produce stunning one off Art pieces.

My practice explores the mysterious, unfathomable and supernatural through multi-artform events and exhibitions of paintings and sculptures. I am particularly interested in the relationships between people, and between people and their environment, and how these are mediated by beliefs and supernatural or spiritual experiences.

My outdoor events are inspired by religious rites from various traditions, and aim to involve the audience as participants as much as possible, drawing them into a liminal space from where they can re-evaluate the Present and re-invent the Future.

In this context I undertake commissions to help design alternative weddings, namings, funerals and other sacred ceremonies.

Katy Beinart is an interdisciplinary artist whose work examines themes of history, identity and place. Her practice is research based and site-specific, often evolving through a participatory process. She trained as an architect, and is interested in both the built and natural environment, and the places where they meet. Katy is also an experienced educator and has worked with schools, galleries and youth clubs on projects ranging from model-making and film-making to sculpture and installation.

Heritage and Arts Officer for Oxfordshire County Council, Social & Community Services. Previously County Museums and Heritage Officer and Assistant Director, Leisure & Arts. Advises Oxfordshire County Council on arts issues. Attends meetings of the Oxfordshire Arts Officers and the Oxfordshire Arts Partnership. Offers advice to arts organisations and individual artists on funding.

In a personal and private capacity I am also a practicing visual artist working in a variety of media. I have exhibited locally in the Art in Woodstock festival, where I also curated a mail art project.

Professional Profile:

Sarah holds a Diploma in Arts Administration. She is a highly efficient, computer (Microsoft) literate, reliable administrator who works in a collaborative and open way. She is a dynamic net-worker and self starter who communicates directly in a relaxed, friendly and professional manner allowing access to all levels of stakeholders.

I am an artist, critic, and curator living in Oxford, England.

One third of Oxford's only artist and curatorial collaborative, Launch Collaborative, Emily Alexander, Phil Marston and I met many moons ago as fine art undergraduates.

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